San Francisco
Aeolian harp
An eerie orchestral chord floats on the breeze; it’s the shimmering sound of a 27-foot-tall harp being strummed by the wind. First built for the Exploratorium in 1976 by local artist Douglas Hollis, the harp’s seven stretched strings are amplified at one end by large metal dishes. “The artist specifically sited this piece to take advantage of the natural wind tunnel here between Piers 15 and 17. The wind picks up every day at around two or three o’clock and that’s when it really sings,” says curator Shawn Lani.
Location:
San Francisco Exploratorium
Pier 15, The Embarcadero, San Francisco, CA 94111
Archimedes
Archimedes is a reimagined, thirtieth anniversary edition of Listening Vessels, a beloved and iconic Exploratorium exhibit. Douglas Hollis originally created Listening Vessels for the Berkeley Art Museum Matrix program in 1987 and gifted the work to the Exploratorium soon after.
Made of cast bronze and installed on the Exploratorium’s Plaza, Archimedes is comprised of two 8-foot diameter dish-like chairs placed 80 feet apart. Each dish’s parabolic curve collects and focuses sound waves and reflects them to participants seated within them. When both dishes are occupied, even whispers uttered from one dish can be clearly heard by the surprised listener seated in the opposite dish. Ambient sounds become intensified when one experiences a dish solo.
The artwork’s name pays homage to Greek scientist and inventor Archimedes who is described as having designed parabolic reflectors, an array of highly polished bronze or copper shields to burn enemy Roman ships during the Siege of Syracuse (c. 214–212 BC). While Hollis’ Archimedes could theoretically be used to focus both light and sound, the interior is textured to avoid focusing light that could result in fire.
Location:
San Francisco Exploratorium
Pier 15, The Embarcadero, San Francisco, CA 94111